Forum de FilmDeCulte

Ah mais George y est admirablement crayonné.

Au-delà de ça, je suis bien conscient que les Oscars sont avant tout et par dessus tout un concours de popularité, le reste venant après, mais à part dire "George on t'adore", j'ai du mal à voir ce qu'un Oscar du meilleur acteur pour sa prestation quand même sortie d'une photocopieuse aurait comme sens.

_________________
Doll, it's a heartbreaking affair

Photocopieuse, c'est ton point de vue.
Je me rappelle t'avoir vu monter au créneau quand j'avais osé parler de jeu similaire chez Depp depuis 95...

_________________

Moi perso, je ne suis pas un fan ultra de son jeu d'acteur, mais je mets vraiment Michael Clayton dans ses 5 meilleures prestations.

Parce que, de Dead Man à Sleepy Hollow à Charlie à Pirates à Neverland, je ne pense pas que ça soit le cas. Clooney, à part chez les Coen, ne sort jamais d'un registre de classe à l'ancienne sans aucune prise de risque particulière, la recette est parfaitement rôdée. Il est pas mauvais du tout (même si c'est vraiment le genre d'acteur qui à mon sens ne dégage aucune espèce d'émotion et à mes yeux c'est un peu problématique), mais je vois rien à distinguer de particulier.

Cela dit, de la même façon que Depp a fini par être aimé des Oscars parce qu'il était le gagnant du prix de popularité de l'année, Clooney se distingue surtout grâce à ça à mon sens.

_________________
Doll, it's a heartbreaking affair

Il y a quand même de grosses similitudes dans les approches d'Ed Wood, Sleepy Hollow, Pirates et Fenêtre Secrète et même Charlie je trouve mais voilà, la perception de chacun...bref.



Ca je le remets pas en question...je le trouve bien Clooney dans le film mais je suis prêt à parier que Day-Lewis le démonte FASTOSH.

_________________

ouais enfin là il est pas à 3/4 paralysé ce con (oui je me remets toujours pas qu'il l'ait piqué à Cruise pour Né un 4 juillet, c'était vraiment la course à l'handicap)

_________________
Janet

J'ai pas vu My Left Foot donc je vais pas en parler...mais si sa prestation dans le Anderson est aussi forte que celle de Gangs of New York (et, au vu de la bande-annonce et des échos, elle l'est) alors le Clooney il pourra se rhabiller (et empocher l'oscar de toute manière).

_________________

non mais oui en fait il le méritait complètement, mais le fait de voir que c'est le plus handicapé des 2 qui l'emporte ça m'a toujours fait bizarre (et vois My left foot !!)

_________________
Janet

Les LAFCA (prix de la critique de Los Angeles) avec le PT Anderson qui se replace bien, la confirmation Scaphandre, et absence totale du Coen, de Burton et de Atonement.

BEST PICTURE
Winner: There Will Be Blood
Runner-Up: The Diving Bell and the Butterfly

BEST DIRECTOR
Winner: Paul Thomas Anderson (There Will Be Blood)
Runner-Up: Julian Schnabel (The Diving Bell and the Butterfly)

BEST ACTOR
Winner: Daniel Day-Lewis (There Will Be Blood)
Runner-Up: Frank Langella (Starting Out in the Evening)

BEST ACTRESS
Winner: Marion Cotillard (La Vie En Rose)
Runner-Up: Anamaria Marinca (4 Months, 3 Weeks, and 2 Days)

BEST SUPPORTING ACTOR
Winner: Vlad Ivanov (4 Months, 3 Weeks, and 2 Days)

BEST SUPPORTING ACTRESS
Winner: Amy Ryan (Gone Baby Gone and Before the Devil Knows You're Dead)
Winner: Tamara Jenkins (The Savages)

BEST ANIMATED FILM
Winner: Ratatouille and Persepolis (tie)

BEST DOCUMENTARY FILM
Winner: No End in Sight

BEST CINEMATOGRAPHY
Winner: Janusz Kaminski (The Diving Bell and the Butterfly)

BEST PRODUCTION DESIGN
Winner: There Will Be Blood

BEST MUSIC
Winner: Glen Hansard and Marketa Irglova (Once)

NEW GENERATION
Winner: Sarah Polley (Away from Her)

Ce qui apparait aussi dans d'autres prix de la critique mais moins influents que là.

_________________
Doll, it's a heartbreaking affair

Tout d'un coup, j'ai peur que l'Oscar aille à Schnabel.

Nommés pour les Golden Globes:

DRAMA
"American Gangster"
"Atonement"
"Eastern Promises"
"The Great Debaters"
"Michael Clayton"
"No Country For Old Men"
"There Will Be Blood"

COMEDY
"Across the Universe"
"Charlie Wilson's War"
"Hairspray"
"Juno"
"Sweeney Todd: The Demon Barber of Fleet Street"

ACTOR (DRAMA)
George Clooney - "Michael Clayton"
Daniel Day-Lewis - "There Will Be Blood"
James McAvoy - "Atonement"
Viggo Mortensen - "Eastern Promises"
Denzel Washington - "American Gangster

ACTRESS (DRAMA)
Cate Blanchett - "Elizabeth: The Golden Age"
Julie Christie - "Away From Her"
Jodie Foster - "The Brave One"
Angelina Jolie - "A Mighty Heart"
Keira Knightley - "Atonement"

ACTOR (MUSICAL OR COMEDY)
Johnny Depp - "Sweeney Todd"
Ryan Gosling - "Lars and the Real Girl"
Tom Hanks - "Charlie Wilson's War"
Philip Seymour Hoffman - "The Savages"
John C. Reilly - "Walk Hard: The Dewey Cox Story"

ACTRESS (MUSICAL OR COMEDY)
Amy Adams - "Enchanted"
Nikki Blonsky - "Hairspray"
Helena Bonham Carter - "Sweeney Todd: The Demon Barber of Fleet Street"
Marion Cotillard - "La Vie en rose"
Ellen Page - "Juno"

DIRECTOR
Tim Burton - "Sweeney Todd: The Demon Barber of Fleet Street"
Ethan Coen and Joel Coen - "No Country for Old Men"
Julian Schnabel - "The Diving Bell and the Butterfly"
Ridley Scott - "American Gangster"
Joe Wright - "Atonement"

SCREENPLAY
Diablo Cody - "Juno"
Ethan Coen and Joel Coen - "No Country for Old Men"
Christopher Hampton - "Atonement"
Ronald Hardwood - "The Diving Bell and the Butterfly"
Aaron Sorkin - "Charlie Wilson's War"

ANIMATION

"The Bee Movie"
"Ratatouille"
"The Simpsons Movie"

FOREIGN-LANGUAGE FILM
"4 Months, 3 Weeks and 2 Days"
"The Kite Runner"
"The Diving Bell and the Butterfly"
"Lust, Caution"
"Persepolis"

ORIGINAL SCORE
"Into the Wild"
"Grace is Gone"
"The Kite Runner"
"Atonement"
"Eastern Promises"

TV

ACTOR (MUSICAL OR COMEDY)
Alec Baldwin - "30 Rock"
Steve Carell - "The Office"
David Duchovny -- "Californication"
Ricky Gervais - "The Office"
Lee Pace - "Pushing Daisies"

ACTRESS (MUSICAL OR COMEDY)
Christina Applegate
America Ferrara
Tina Fey
Anna Friel
Mary Louise Parker

MINISERIES OR TV MOVIE
"Bury My Heart at Wounded Knee"
"The Company"
"5 Days"
"The State Within"
"Longford"

ACTRESS (MINISERIES OR TV MOVIE)
Bryce Dallas Howard
Debra Messing
Queen Latifah
Sissy Spacek
Ruth Wilson

ACTOR (MINISERIES OR TV MOVIE)
Adam Beach
Ernest Borgnine
Jim Broadbent
Jason Isaacs
James Nesbitt

SUPPORTING ACTRESS
Rose Byrne
Rachel Griffith
Katherine Heigl
Samantha Morton
Anna Paquin
Jamie Pressly

SUPPORTING ACTOR
Ted Danson
Kevin Dillon
Jeremy Piven
Andy Serkis
William Shatner
Donald Sutherland

Absence totale de Jesse James ou We Own the Night. Super.

_________________
Ed Wood:"What do you know? Haven't you heard of suspension of disbelief?"

Il aurait fallu faire un nouveau topic là...entre les commentaires, les futurs pronos, les réactions à la cérémonie, els gagnants...ça va encombrer ce topic-ci inutilement...

_________________

Je le fais.

Et finalement mon poulain redresse la tête :
http://www.aintitcool.com/node/35050

Is Charlie Wilson's War the very best movie of the year? No. Is Charlie Wilson's War the absolute funniest comedy of the year? No. Is Charlie Wilson's War the very best comedy of the year? Yes. It is. Take one part modern social relevance. Sprinkle in one of the best casts in the business. And just to cap it off, chase that down with a script by master scribe Aaron Sorkin. What that leaves you with is one hell of a powerhouse film based on the supposedly true story of how one of the most corrupt men in Washington helped bring down the iron curtain once and for all. Without anyone really realizing what he was doing.

First of all, Sorkin's adaptation is the tits. It is arguably the best thing he's ever written. Easily on par with his previous films and definitely up there with the very best of his West Wing work (including the episodes Twenty Five, The Two Cathedrals and 20 Hours in America) here Sorkin gets a pair of truly great characters to work with and really gets to cut loose.

(...)

Hanks and Hoffman make an incredible dynamic duo – Hanks getting to play it for laughs with all the charisma you'd expect from him and Hoffman stealing the movie right out from under him every chance he gets. Never let it be said that Hanks is under-performing here. It's just that Phillip Seymour Hoffman is so fucking good, so undeniably badass, that he practically walks out and accepts the Best Supporting Actor Oscar several months early. This is the role some men wait their entire lives for. And it is the role that he will most likely be remembered for.

(...)

Now I've seen this referred to other places as a drama. Do not be fooled. A drama doesn't make you laugh this hard, this long and this intentionally. The dialog here is razor sharp – it's classic Sorkin set free with expletives and adult situations. The circumstances master politico Charlie Wilson finds himself in (or surrounds himself with) are rife with comedic possibility. And while there is plenty of heavy social commentary to be had, the film takes its time to get there – first softening you up with a stream of belly laughs, then sneaking in a real whopper of message.

It's rare that a film manages to be this poignant and funny at the same time. There's a lot of history to get through – it is after all about a single Congressman who finds himself in the odd position of helping fund Afghanistan's war with Russia, without it looking like we're funding a war against Russia – but it never lays it on thick or gets dull.

_________________