Forum de FilmDeCulte

Je te rejoins.

Oui ça fait très photoshop de base tous ces effets glitter. Berk.

_________________
Doll, it's a heartbreaking affair

Brrrrrr... pas top du tout, même si je comprends l'intention.

_________________
Liam Engle: réalisateur et scénariste

Tout simplement horrible !

_________________
"Un peuple qui élit des corrompus, des renégats, des imposteurs, des voleurs et des traîtres n’est pas victime ! Il est complice."
- George Orwell

Chez moi ça s'affiche pas.. Je veux voir cette horreur!

_________________
Ed Wood:"What do you know? Haven't you heard of suspension of disbelief?"

clic droit... et tu verras un Oscar en train de fondre

_________________
Janet

Faut arrêter, elle est très bien cette affiche. L'année d'Indiana Jones en plus, je ne vois pas de quoi on se plaint.

bon cette nuit j'ai rêvé que Joe Wright gagnait meilleur réal mais qu'un film nommé "Encadrement" (?!!) gagnait le meilleur film à la surprise générale et tout le monde était dégoûté (ça se comprend, un film qui n'existe pas...) !

_________________
Janet

Lol quel rêve ^^

Pour revenir sur l'affiche, elle est mauvaise. Faut dire que je n'aimais pas ce qu'il avait fait pour les affiches de Star Wars 1-2-3 (assez mauvaises). Pour l'indiana, je dirais juste que ça passe plutôt bien mais je ne suis pas fan de l'affiche.
Conclusion, ils auraient du choisir un autre artiste...

_________________
"Un peuple qui élit des corrompus, des renégats, des imposteurs, des voleurs et des traîtres n’est pas victime ! Il est complice."
- George Orwell

Lol

Sinon dernières nominations de guild, celle des costumiers attention attention qui va succéder au ciré de la reine nommé aux Oscars pour The Queen?

Guild noms in the contemporary film category were

Blades of Glory
The Diving Bell and the Butterfly
Into the Wild
Juno
Ocean’s Thirteen

Catégorie toujours génialement débile qui reprend juste bêtement les films nominables dans les autres catégories aux Oscars (woah les costumes du Scaphandre, de Juno ou d'Into the Wild!)

Up for period pic honors at the guild’s Feb. 19 awards are

Atonement
Elizabeth: The Golden Age
La Vie en rose
Sweeney Todd
3:10 to Yuma

The following films will compete in the fantasy category:

Enchanted
The Golden Compass
Harry Potter and the Order of the Phoenix
Pirates of the Caribbean: At World’s End
300

Elizabeth et Sweeney Todd y seront, les autres faut voir. Nouvelle preuve du désamour absolu de Jesse James: généralement les westerns y sont toujours mais là plouf.

Et sinon la liste gag des présélectionnés à l'Oscar étranger a fait des vagues:

http://www.awardsdaily.com/?p=1100

The outcry was so forceful and so immediate that the committee’s chairman has vowed to change the Academy’s nominating procedures for this perennially problematic category. Enduring arguments — that the retired Academy members who tend to serve on the committee habitually shut out the most vibrant and edgy examples of world cinema — are being revived. Even the notion of the Best Foreign Language Film category itself has come under fire as obsolete in an increasingly cosmopolitan and porous global film culture.

But two of the most highly regarded foreign films of 2007 conspicuously did not make the cut: the Romanian film “4 Months, 3 Weeks and 2 Days,” which won the Palme d’Or at Cannes, as well as several other critics’ and festival prizes, and “Persepolis,” an animated film from France by the Iranian graphic artist Marjane Satrapi and Vincent Paronnaud that won its own share of laurels and landed on several critics’ year-end top 10 lists.

The absence of those two titles — as well as ones from such vibrant film cultures as Mexico (”Silent Light”) and Korea (”Secret Sunshine”) — stirred up immediate ire in film circles, mostly expressed in the blogosphere that covers Hollywood. “How Do You Say ‘Oscar Scandal’ in Romanian?” read the headline on LA Weekly critic Scott Foundas’s Foundas & Taylor on Film blog the day the shortlist was announced. Foundas called the omission of “4 Months,” by writer-director Cristian Mungiu, “as embarrassing a blunder as any in the Academy’s history.”

Todd Hitchcock, who programs films at the AFI Silver Theatre and Cultural Center, said he reacted to the announcement with “disbelief.” Noting that a clear consensus had been built throughout last year regarding the artistic merits of both “4 Months” and “Persepolis” — which earned 20 awards between them — he called the controversy “not just a few critics carping about how they know better. This is shocking across the board.” (Both films played to sold-out audiences at AFI’s European Union Showcase last November.)

Reached by phone on Thursday, Mark Johnson, chairman of the nominating committee for the foreign-language film Oscar, was clearly upset, although he took pains to make clear he didn’t take issue with the nine films that were selected. “The outcome is noteworthy not for what made it — it’s not like some ridiculous movies made it onto a list they shouldn’t be on — it’s what didn’t make it.” Citing “4 Months” and “Persepolis” by name, Johnson said, “It’s just inconceivable to me that they weren’t included.”

The exclusions are especially distressing to Johnson in light of recent reforms he made to the nominating process. Along with documentaries, foreign-language films aren’t nominated by people in their own “craft” categories (such as directors, cinematographers and actors), but by members of the Academy at large — who commit to watching around 14 or 15 movies over two months.

Because the process is a significant time commitment (foreign-language committee members can’t watch the films on DVD, only at Academy-sanctioned screenings), the demographics of the committee have skewed toward people with time on their hands — in other words, retirees. The result, many observers say, are films that are safe, conventional and relatively mainstream, both in form and content.

To rectify that, Johnson last year instituted a process by which members of the committee, which numbers around 400, would come up with a shortlist of nine films. Then a smaller group, composed of 10 randomly selected committee members as well as 30 specially invited, more professionally active members (10 in New York and 20 in Los Angeles), would winnow those down to the five nominees.

“Last year was the first year” of trying that process, Johnson said, “and it worked very well. I was really happy with it.” Among the nominees selected last year were Guillermo del Toro’s “Pan’s Labyrinth,” the Algerian film “Days of Glory,” Denmark’s “After the Wedding” and the Canadian film “Water.” The Oscar winner was the German Cold War drama “The Lives of Others.”

Whatever the reasons, Johnson avers, the process is clearly in need of tinkering. He intends to approach the Academy’s Board of Governors, which oversees rule changes, soon after the awards ceremony on Feb. 24. “I think we have to do some kind of radical change and hopefully we can come up with a system that works better,” Johnson said.

The Academy are, at some point, going to have to dump this antiquated category. It simply doesn’t suit the way of the world anymore. American films aren’t matching foreign films in terms of ideas, originality, artistic bravery.

What has happened is that the global film community has blossomed around the Academy. Their original intent has been lost. This is true, I would say, of the doc and animation categories as well. The Oscar brings the project prestige for a lifetime but in terms of bringing these films to audiences — the audiences are way ahead of the Academy and thus, these categories feel obsolete.

_________________
Doll, it's a heartbreaking affair

Les nominations c'est demain donc petit jeu des pronos selon le baromètre des prix, du buzz, et du pif (j'essaie de mettre mon coeur de côté):

en anglais, comme à Hollywud

BEST FILM

Atonement
Juno
Michael Clayton
No Country for Old Men
There Will Be Blood

Le Challenger: The Diving Bell and the Butterfly

Le Dark horse: Sweeney Todd

(là pour le coup ça se saura vite vu que la nomination mystère reste Atonement, et c'est annoncé par ordre alphabétique - à part si c'est Vanessa Paradis qui annonce une connerie *oh non judith chu désolé*; The Diving Bell & the Butterfly a fait un grand chelem parfait: PGA - les producteurs, DGA - les réals, WGA - les scénaristes, si ça n'y est pas c'est vraiment juste parce que c'est en français)

BEST DIRECTOR

Paul Thomas Anderson - There Will Be Blood
Joel & Ethan Coen - No Country for Old Men
Tony Gilroy - Michael Clayton
Julian Schnabel - The Diving Bell and the Butterfly
Joe Wright - Atonement

Le Challenger: Tim Burton - Sweeney Todd

Le Dark horse: Sean Penn - Into the Wild

BEST ACTRESS IN A LEADING ROLE

Julie Christie - Away from Her
Marion Cotillard - La Vie en rose
Angelina Jolie - A Mighty Heart
Keira Knightley - Atonement
Ellen Page - Juno

Le Challenger: Cate Blanchett - Elizabeth, The Golden Age

Le Dark Horse: Amy Adams - Enchanted

(au total de prix et nominations, Cate écrase Keira mais son film n'est pas aimé et elle sera déjà nommée pour le Haynes - j'avoue que je mettrais bien un mini pion sur Amy Adams, dans une vraie comédie hollywoodienne qui rapporte plein de dollars, mais bon, petit le pion)

BEST ACTOR IN A LEADING ROLE

George Clooney - Michael Clayton
Daniel Day Lewis - There Will Be Blood
Johnny Depp - Sweeney Todd
Emile Hirsch - Into the Wild
Viggo Mortensen - Eastern Promises

Le Challenger: James McAvoy - Atonement

Le Dark Horse: Ryan Gosling - Lars and the Real Girl

(catégorie chaud cacao, Depp [qui pour moi sera le premier à sauter si les nominations sont différentes, malgré son Globe] et un autre - Hirsch ou Mortensen - peuvent parfaitement sauter et se faire remplacer par Gosling et McAvoy, ça me semble hypra serré - quoique Gosling y était déjà l'année dernière pour un minuscule indé donc c'est surtout pour McAvoy que ça peut le faire)

BEST ACTRESS IN A SUPPORTING ROLE

Cate Blanchett – I'm Not There
Catherine Keener - Into the Wild
Amy Ryan - Gone Baby Gone
Saoirse Ronan - Atonement
Tilda Swinton - Michael Clayton

Le Challenger: Ruby Dee - American Gangster

Le Dark Horse: Kelly McDonald - No Country for Old Men

(duel Blanchett / Ryan, le reste c'est les chaises musicales, ça me fait pitié de mettre Ruby Dee en challenger mais elle peut parfaitement en être, pour une nomination probablement encore plus ridicule que celle de Judi Dench pour Shakespeare in Love)

BEST ACTOR IN A SUPPORTING ROLE

Casey Affleck - The Assassination of Jesse James by the Coward Robert Ford
Javier Bardem - No Country for Old Men
Hal Holbrook - Into the Wild
Philip Seymour Hoffman - Charlie Wilson's War
Tom Wilkinson - Michael Clayton

Le Challenger: Tommy Lee Jones - No Country for Old Men

Le Dark Horse: Paul Dano - There Will Be Blood

(ça dépendra de s'il y a assez un amour de ouf pour le Coen au point d'en nommer deux - tout ceci n'est pas dit dans un français correct)

BEST ORIGINAL SCREENPLAY

American Gangster
Juno
Lars and the Real Girl
Michael Clayton
The Savages

Le Challenger: Ratatouille

Le Dark Horse: Eastern Promises

BEST ADAPTED SCREENPLAY

Atonement
The Diving Bell & the Butterfly
Into the Wild
No Country for Old Men
There Will Be Blood

Le Challenger: Zodiac

Le Dark Horse: Charlie Wilson's War

BEST CINEMATOGRAPHY

American Gangster
Atonement
The Assassination of Jesse James by the Coward Robert Ford
The Diving Bell & the Butterfly
The Will Be Blood

Le Challenger: Into the Wild

Le Dark Horse: No Country for Old Men

(la catégorie traditionnellement la plus réfractaire aux petits nouveaux, Eric Gautier courage; pour le dark horse: ne jamais sous-estimer l'amour toutes-catégories d'un film richement nommé)

BEST ORIGINAL SCORE

Atonement
Into the Wild
Ratatouille
The Kite Runner
There Will Be Blood

BEST COSTUME DESIGN

Atonement
Elizabeth, the Golden Age
La Vie en rose
Sweeney Todd
There Will Be Blood

Le Challenger: Hairspray

Le Dark horse: Lust, Caution

(je mets pas Hairspray juste parce qu'il est absent des nominations de la guild des costumiers mais pourtant il a une pure gueule de nominé - donc je vais le regretter)

BEST ART DIRECTION

Atonement
Elizabeth, the Golden Age
Harry Potter: Order of the Phenix
Sweeney Todd
There Will Be Blood

Le Challenger: Pirates of the Caribbean, At World's End

Le Dark Hose: La Vie en rose

BEST MAKE UP

300
La Vie en rose
Sweeney Todd

BEST EDITING

Atonement
Into the Wild
Michael Clayton
No Country for Old Men
There Will Be Blood

BEST SOUND

300
The Bourne Ultimatum
Pirates of the Caribbean, At World's End
Sweeney Todd
Transformers

BEST SOUND EDITING

300
Transformers
Pirates of the Caribbean: At World's End
Spider-Man 3
Ratatouille

BEST ANIMATED FEATURE

Persepolis
Ratatouille
The Simpsons' Movie

BEST DOCUMENTARY FEATURE

Body of War
Nanking
No End in Sight
Sicko
Taxi to the Dark Side

BEST VISUAL EFFECTS

300
Pirates of the Caribbean: At World's End
Transformers

BEST ORIGINAL SONG

American Gangster
Into the Wild
Juno
Hairspray
Once

BEST FOREIGN LOL PICTURE

Beaufort (Israel)
The Counterfeiters (Austria)
Days of Darkness (Canada)
The Year My Parents Went on Vacation (Brazil)
The Unknown (Italy)

Je mets pas les courts parce que bon.

Ce qui ferait pour les films qui jouent une place dans la catégorie reine:

Atonement 10
There Will Be Blood 9
Michael Clayton 7
No Country for Old Men 5
Sweeney Todd 5
Juno 4
The Diving Bell & the Butterfly 3

J'ai l'impression de sous-estimer le Coen mais je vois pas trop où le mettre dans les catégories techniques... et si ça marche comme ça, ça fera d'Atonement le gros favori.

_________________
Doll, it's a heartbreaking affair

Ah et ça m'en fait 7 pour Into the Wild et pourtant je le mets pas en film *bon je suppose que mes pronostics merdent quelque part*

Mais j'ai du mal à les voir virer Juno (c'est à dire le film au buzz permanent, à la critique de ouf et au carton public qui arrive PILE au bon moment) même si logiquement c'est le premier "menacé".

_________________
Doll, it's a heartbreaking affair

Celui qui a le moins de nominé en film, acteur, actrice, réal fait la news

Film

Atonement
No Country for Old Men
There Will Be Blood
The Diving Bell and the Butterfly
Into The Wild

Réalisateur

Paul Thomas Anderson - There Will Be Blood
Joel & Ethan Coen - No Country for Old Men
Julian Schnabel - The Diving Bell and the Butterfly
Joe Wright - Atonement
Sean Penn - Into the Wild

Acteurs:

George Clooney - Michael Clayton
Daniel Day Lewis - There Will Be Blood
Johnny Depp - Sweeney Todd
Emile Hirsch - Into the Wild
James McAvoy - Atonement

Actrices:

Julie Christie - Away from Her
Marion Cotillard - La Vie en rose
Angelina Jolie - A Mighty Heart
Keira Knightley - Atonement
Ellen Page - Juno

Allez moi jdis :

BEST FILM

Atonement
Juno
No Country for Old Men
There Will Be Blood
Sweeney Todd


Fuck Michael Clayton!

_________________

Pour la première fois aux Razzies, ce sont de vrais mauvais films qui sont nommés et non des films populaires :
http://razzies.com/history/28thNoms.asp

_________________