JulienLepers a écrit:
Qui-Gon Jinn a écrit:
D'ailleurs j'ai rematé LES AVENTURIERS DE L'ARCHE PERDUE et j'avais oublié ce dialogue impossible aujourd'hui entre Marion et Indy:
Indiana : I never meant to hurt you.
Marion : I was a child. I was in love. It was wrong and you knew it!
Indiana : You knew what you were doing.
hEurEuseMeNT pHOeBe Va vEnIR neTToyEr tOut Ca
C'est Lucas qui a eu l'idée visiblement (et Kasdan et Spielberg ont rebondi dessus)
Les Trois Stooges a écrit:
G — We have to get them cemented into a very strong relationship. A bond.
L — I like it if they already had a relationship at one point. Because then you don't have
to build it.
G — I was thinking that this old guy could have been his mentor. He could have known
this little girl when she was just a kid. Had an affair with her when she was eleven.
L — And he was forty-two.
G — He hasn't seen her in twelve years. Now she's twenty-two. It's a real strange
relationship.
S — She had better be older than twenty-two.
G — He's thirty-five, and he knew her ten years ago when he was twenty-five and she
was only twelve.
G — It would be amusing to make her slightly young at the time.
S — And promiscuous. She came onto him.
G — Fifteen is right on the edge. I know it's an outrageous idea, but it is interesting.
Once she's sixteen or seventeen it's not interesting anymore. But if she was fifteen and
he was twenty-five and they actually had an affair the last time they met. And she was
madly in love with him and he...
S — She has pictures of him.
G — There would be a picture on the mantle of her, her father, and him. She was madly
in love with him at the time and he left her because obviously it wouldn't work out. Now
she's twenty-five and she's been living in Nepal since she was eighteen. It's not only that
they like each other, it's a very bizarre thing, it puts a whole new perspective on this
whole thing. It gives you lots of stuff to play off of between them. Maybe she still likes
him. It's something he'd rather forget about and not have come up again. This gives her
a lot of ammunition to fight with.
S — In a way, she could say, "You've made me this hard."
G — This is a resource that you can either mine or not. It's not as blatant as we're
talking about. You don't think about it that much. You don't immediately realize how old
she was at the time. It would be subtle. She could talk about it. "I was jail bait the last
time we were together." She can flaunt it at him, but at the same time she never says,
"I was fifteen years old." Even if we don't mention it, when we go to cast the part we're
going to end up with a woman who's about twenty-three and a hero who's about thirty-
five.
J'avais déjà lu cette discussion terrifiante, oui, avec Spielberg qui semble calmer le jeu au début puis surenchérit.
UnE aUtRe ÉpOqUe (en l'occurrence, 1926, c'était ptet plus commun).
Blague à part, c'est révélateur (et salvateur) qu'ils aient délibérément choisi de ne jamais préciser l'âge dans le film et ils ont fini par caster une actrice qui fait plus que 25 ans (elle avait 29).