Forum de FilmDeCulte

Dans le genre "bande-annonce qui donne pas envie", le nouveau Kiarostami se pose là :
http://www.allocine.fr/video/player_gen ... 90410.html

Ils avaient activé le mode Shuffle sur le logiciel de montage?

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Horrible. Après, Kiarostami en bande annonce de toute façon...

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N'écoutez pas Film Freak

Premiières image du premier film américain de Park-Chan Wook :
http://www.youtube.com/watch?v=b4Rs72AEUfQ&feature=player_embedded

Ça sent le thriller ultra stylisé mais bon on est loin des idées de mise-en-scène et de l'énergie de Old Boy.

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CroqAnimement votre

Ouais là ça m'évoque davantage le foireux Thirst que le bon Old Boy.

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Première critique de FRANKENWEENIE (positive mais pas très enthousiaste) :
http://badassdigest.com/2012/09/20/movi ... -in-years/

"To say that Frankenweenie is the best Tim Burton movie in a long time is pretty faint praise, but to be fair it’s a pretty faint movie. An engaging first act mixed with some diverting action at the end creates a movie that feels light and airy and without much depth.

(...)

The stop motion animation and character design are both delightful; the craft on display is top notch. And the film’s enthusiasm for the multiple monsters that show up at the end is infectious. Hell, the entire film has a sense of fondness for monsters and monster movies that is warm, if sleepy.

(...)

everything getting from raising Sparky to that finale is limp and uninteresting and aimless.
The ending of the movie is also a mess

(...)

Lovely to look at and gentle in spirit but meandering and empty, Frankenweenie would be a disappointment if it came from Tim Burton pre-Planet of the Apes. Now it feels like a hopeful bud of possibility."

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Une deuxième, beaucoup plus chaude :
http://blogs.indiewire.com/theplaylist/ ... m-20120920

"For the last decade or so, visionary filmmaker Tim Burton, once known for original concoctions like "Edward Scissorhands," has gotten very good at taking studio assignments for pre-existing properties that seem to roughly fit within his wheelhouse ("Planet of the Apes," "Charlie and the Chocolate Factory," "Alice in Wonderland") and applying just enough of his unique sensibilities, to make these properties seem fresh and easily marketable. It says something, then, that Burton's best, most enjoyable, and most emotionally resonate film in years is actually an adaptation of one of his very first projects – "Frankenweenie," originally a live action short he made while working as an animator for Disney, reanimated now as a brilliant black-and-white 3D stop-motion monster.

(...)

the sequences of Victor and Sparky (...) actually achieve an emotional realism that is strange for most Tim Burton movies, but that dangerously finds itself close to being lost in an endless abyss of references and quirky flourishes

(...)

If the movie has a downside, visually, it's that many of the characters look too familiar. The same studio that worked on Tim Burton's middling "Corpse Bride" also worked on "Frankenweenie," and keen-eyed viewers will notice that at least two of the characters seem to be redressed versions of puppets that appeared in that movie

(...)

Since this is a Tim Burton movie, too, there are a few structural issues with the narrative, particularly in an overly long midsection

(...)

Thankfully, any problems that spring up during the first two acts are wiped from your memory by the time things kick into overdrive in the third act. (...) the entire end section of "Frankenweenie" might be most purely satisfying, enjoyable and wonderfully over-the-top climax to any Tim Burton movie since "Beetlejuice." (...) In fact, these sequences single-handedly reinstate the fact that, when Burton isn't appropriating some dusty bygone property, he is one of the most imaginative filmmakers working today.

(...)

For a number of years now fans of Tim Burton have had to do so with caveats or footnotes – citing early works as the reason for their dedication. But with "Frankenweenie," Burton has made a true return to form, a bold declaration that he's still very much relevant and able to create something artistically sound that will stir the heartstrings as much as it will delight the eye."

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Bande-annonce de 42, biopic de Jackie Robinson, célèbre joueur de base-ball :
http://www.youtube.com/watch?v=iP3G4E2a ... r_embedded

Bon, c'est du biopic classique (ça fait un peu La Couleur des sentiments version Hommes) mais ça m'intrigue pour ce qu'on y voit de Harrison Ford, presque méconnaissable, dans le look mais aussi dans le jeu. Ca frise le cabotinage mais ça fait du bien de le voir se réveiller et de tenter une performance radicalement différente de celle qu'il propose depuis...toujours?

Sinon, c'est aussi le nouveau film en tant que réalisateur de Brian Helgeland, scénariste émérite qui réalisait un film tous les deux ans jadis...puis plouf.

Payback (1999) 5/6
Chevalier (2001) 3/6
Le Purificateur (2003) 1/6

plouf normal donc

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Le montage de la BA déchire.

La musqiue est totalement anachronique...

Looooool

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J'adore cette BA. Ca la l'air classique derrière, mais la BA est vraiment bien faite. Et j'aime beaucoup la photo du film.

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Que lire cet hiver ?
Bien sûr, nous eûmes des orages, 168 pages, 14.00€ (Commander)
La Vie brève de Jan Palach, 192 pages, 16.50€ (Commander)

Comme n'importe quelle musique originale de film historique.

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Que lire cet hiver ?
Bien sûr, nous eûmes des orages, 168 pages, 14.00€ (Commander)
La Vie brève de Jan Palach, 192 pages, 16.50€ (Commander)

3e critique encore plus enthousiaste :
http://www.hitfix.com/motion-captured/r ... onal-films

Bah merde, ça commence à donner envie...

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Bande-annonce du Gus Van Sant, avec Damon et Krasinski, qui ont aussi écrit le scénar :
http://www.youtube.com/watch?feature=pl ... ALVi6-5nv8

Sur le papier, ça me fait penser à...Up in the Air. Version agriculteurs quoi.

Ca m'excite pas des masses (bon, en même temps, je suis pas très vansantophile) mais ça pourrait être un gros candidat fourbe aux Oscars (politiquement, il pourrait coiffer au poteau Argo et Lincoln et le Bigelow).

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Oui là effectivement ça donne plus envie du tout... Rien qu'à comparer avec la BA de Milk, qui était pourtant reparti vers un trip plus oscarisable, ça fait mal.