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lol En tout cas le pere sawyer se rapproche un peu de jack et il sympathise plus. Effet brockback??

Chaud, chaud....putain ca va etre dur d'attendre la semaine prochaine

Rien a voir :Un truc qui m'a sauté aux oreilles dans cet episode c'est a quel point l'acteur qui joue sawyer bouffe ses mots, j'ai un peu de mal a comprendre tout ce qu'il dit

Chaud, chaud....putain ca va etre dur d'attendre la semaine prochaine

When it comes to "Lost," it's all about listening to the fans, McPherson said. The drama series about marooned passengers on a mysterious island will return in the fall in its current Wednesday time slot with seven original episodes, and then go on hiatus until January or February, when it will return to the Wednesday night schedule with original episodes until May.

During "Lost's" hiatus, ABC will launch "Day Break," starring Taye Diggs as a detective who literally lives the same day over and over -- and it's a bad one -- for 13 weeks.

"'Lost' is a show people really love. They make an appointment for [it]," McPherson said. "They absolutely just get furious when it's in repeat. So we want to be able to say to the audience, it's going to be on for this block here -- then bring it back and it will run straight through."

The show's executive producers, Carlton Cuse and Damon Lindelof, said today that they're excited about the new schedule and will design the third season around the new airtime order.

"Our audience was incredibly frustrated with repeats," Cuse wrote in an e-mail. "Now when 'Lost' is on, it's on. And, the audience doesn't have to wait all the way until the spring for the show to return, which given the cliffhanger nature of our finale would be too long."

The new non-repeat schedule "allows us to really keep the momentum of our particular type of storytelling," he added.

Is the Lost experience still fun for you?
It's been a really welcome life change for me and my family. The most important thing in the world to me is the three other people in my life, and so getting out of Los Angeles and being here and seeing how happy our kids are here, it's absolutely wonderful. And to feel that great about this place and the way we are living our lives, and at the same time be working on something I care about so much — it couldn't be any better.

Is there any part of this that's uncomfortable, especially here at the white-hot moment of the Lost phenomenon?
No. And by the way, that's exactly where we want to be. The pressure and the white-hot scrutiny is a very, very good thing for our show. We thrive on it, in some masochistic way. It's part of what makes this special. If you spend a lot of time watching how the show gets done, you'll know that it's a necessary ingredient to this.

What do you mean by that?
There's a spontaneity that comes out of desperation that lends itself well to the stories we're telling. It keeps people on their toes. There's a freshness and energy to it. If we were shooting this show on the backlot in Los Angeles — which could never logistically be done — but if you hypothetically could do it, the show would not be the show that it is. There would be a comfort and a complacency and a smoothness to that process that would take away from what ends up on screen.

Ah, but what happens if suddenly everyone wakes up in their beds back on the mainland with no idea how they got there?
Nobody is going to wake up on this show and mysteriously end up somewhere else.

Is that a promise?
[After a deliberate, contemplative pause] That's a promise.

Enfin son rapport avec l'ile se limite a des chiffres qu'il a entendu répété par un mec dans un asile. Il lui ont certe permis de gagner au loto mais rien de plus