Forum de FilmDeCulte

Tu connais pas les sites dont tu parles. Il s'agit de sites qui foutent Morse en premier de leurs tops.


Beh tant pis.


Bah justement, Faraci de CHUD, non.
C'est un mec qui a cassé Begins, a fait la grosse fine-bouche (comme toi) sur TDK, et est resté sceptique sur Inception avant de le voir.

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C'est clair que c'est énormissime ça

The Hollywood Reporter: ” A devilishly complicated, fiendishly enjoyable sci-fi voyage across a dreamscape that is thoroughly compelling.” … “”Inception” puts him not only at the top of the heap of sci-fi all-stars, but it also should put this Warner Bros. release near or at the top of the summer movies. It’s very hard to see how a film that plays so winningly to so many demographics would not be a worldwide hit.” … “Sometimes originality comes at a cost though: At the end, you may find yourself utterly exhausted.”
http://www.hollywoodreporter.com/hr/fil ... 2197.story

Variety: “If movies are shared dreams, then Christopher Nolan is surely one of Hollywood’s most inventive dreamers, given the evidence of his commandingly clever “Inception.” Applying a vivid sense of procedural detail to a fiendishly intricate yarn set in the labyrinth of the subconscious, the writer-director has devised a heist thriller for surrealists, a Jungian’s “Rififi,” that challenges viewers to sift through multiple layers of (un)reality. As such, it’s a conceptual tour de force unlikely to rank with Batman at the B.O., though post-”Dark Knight” anticipation and Leonardo DiCaprio should still position it as one of the summer’s hottest, classiest tickets.” … “If “Inception” is a metaphysical puzzle, it’s also a metaphorical one: It’s hard not to draw connections between Cobb’s dream-weaving and Nolan’s filmmaking — an activity devoted to constructing a simulacrum of reality, intended to seduce us, mess with our heads and leave a lasting impression. Mission accomplished.”
http://www.variety.com/review/VE1117943 ... id=31&cs=1

Cinematical: “Nolan, working with the sort of confidence (not to mention free financial reign) that comes from making a studio a mint on one’s previous picture, crafts an amazingly sophisticated, subversive, thoughtful, and even occasionally confusing (albeit in only good ways) tale about the layers of reality in the mind that calcify and crumble when constructed from the raw materials of memory and emotion. At the same time, he’s made an utter crowd pleaser, an epic piece of entertainment that ultimately feels so simple precisely because of all of its complexity, and one that rouses and inspires and excites in the same way as blockbusters comprised of pure spectacle.” … “Watching the film, there’s a palpable sort of glee that Nolan takes in setting up the rules for his mental universe and then betraying them, contradicting them, or destroying them outright.” … “Ultimately, Nolan’s is probably not the kind of movie that should be written about after just one viewing, and shouldn’t be viewed even once with any preconceptions or expectations, sky-high as I may have made them for folks who read this far. ”
http://www.cinematical.com/2010/07/05/inception-review/

Empire Magazine: “Like The Matrix mated with Synecdoche, New York — or a Charlie Kaufman 007. To paraphrase Casino Royale’s Vesper Lynd, it’s a meaningful pursuit in a summer of disposable entertainments. With physics-defying, thunderous action, heart-wringing emotion and an astonishing performance from DiCaprio, Nolan delivers another true original: welcome to an undiscovered country.”
http://www.empireonline.com/reviews/rev ... FID=136118

Thompson on Hollywood: “The movie keeps you on the edge of your seat, focused intently on what’s happening. Otherwise, it would be easy to get lost. Structured like an intricate maze, Inception takes the viewer through interlocking sets of dream realities. ” … “Inception not only references the “levels” of complex video gameplay, but also functions as a metaphor for the creative process of moviemaking itself”
http://blogs.indiewire.com/thompsononho ... ith_heart/

Awards Daily: “Inception is a journey into the unseen rooms of the mind. It is also a slightly uncomfortably intimate look inside the mind of Nolan himself. It’s a frightening place to be, as it would be to enter anyone’s mind – dwelling in the various levels of consciousness, weaving in and out of the fears, desires and behaviors. As much as we know, as far as we’ve come, as many places as we’ve been, there is still a lot about our minds and our dreams that we dare not discover. How might your darkest fears and impulses manifest themselves in your dreams? What monsters are lurking there? What memories? Do you face them or run from them?”
http://www.awardsdaily.com/?p=23795

InContention: “In reviewing 2008’s “The Dark Knight,” I wrote that director Christopher Nolan “has made a brief career of exploring characters built upon their somber, in some instances twisted pasts, however distant or immediate.” The theme continues with “Inception,” a film like nothing you have ever seen before that plays out like a two-hour therapy session, wrapped in the accoutrement of a heist film and bathed in the panache of an entirely immersive cinematic experience.” … “Every single moment of “Inception” is more gripping than the last. It’s the kind of film Freud, or more likely Jung, would have delighted in deconstructing. Nolan takes a leap of faith with his audience, trusting them to keep up with the screenplay’s labyrinthine structure while at the same time conjuring enough cerebral hocus pocus to avert attention from its weaknesses.”
http://incontention.com/?p=26044

“In a great many ways, “Inception” is an exceptional film. It boasts a larger than life cast, a virtually unrestricted budget and a director at the top of his game both commercially and artistically. Action scenes feature mountain ski chases, zero-gravity fights and flawless special effect dreamscapes. So how is it that “Inception” comes together as such a bore? “Inception’s” problems stem completely from the screenplay. While we’re meant to believe that the world Nolan has created is of the utmost complexity, it is nowhere near the level that the exposition affords it. “Inception” is a monstrous, all-consuming exposition that seems to devour character and emotion to the point that, on the whole, the film feels like the origin story for a much more interesting tale. That is, the dream-espionage set-up is wonderfully original and clearly well-researched, but far too much time is spent establishing the rules of the world and far too little twisting those rules into anything other than face value.”
http://www.comingsoon.net/news/reviewsnews.php?id=67539

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Ça commence à me péter les couilles ces mini-bandes annonces partout, sur tous les sites là.......... Tu peux pas aller sur ugc, msn ou quoi que ce soit sans voir une image, ALORS QUE JE VOULAIS RIEN VOIR BORDEL. Ça me soule leur marketing à outrance là.

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Netflix les gars, Netflix.

Pareil, sur certains sites, je suis obligé de me faire des caches avec les mains pour naviguer...

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Oui j'en arrive à faire pareil........ Qu'est-ce que je me sens con des fois !

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Netflix les gars, Netflix.

Oui je me suis encore senti con aujourd'hui au ciné quand la BA longue est passée et que j'ai dû fermer, les yeux, me boucher les oreilles et fredonner pour rien voir ni entendre.

le toqué

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Netflix les gars, Netflix.

lol
Ben voila, y a pas que moi.

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Tennis de Table Bordeaux

Ouais je fais pareil... La première fois c'était pour Les Deux Tours (j'avais vu aucune image en mouvement avant de découvrir le film), depuis je le fais pour tout les gros films qui, j'espère toujours, vont m'en mettre plein la gueule !

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CroqAnimement votre

Héhé, moi je fais ça quasiment en permanence, pour toutes les BA. Sauf pour nos comédies nationales bien merdiques : vu qu'elles commencent en général comme une mauvaise pub, je me laisse souvent surprendre... puis je reste en général bouche bée... et au final c'est pratique puisqu'elles contiennent les trucs les plus drôles (voire les seuls) du film, ça fait gagner du temps.

Zob, t'utilises aussi la technique du "j'arrive 20 min à la bourre pour être sur de rater les BA"

Oui mais là je suis encore en phase d'optimisation/réglages, en théorie je devrais pas louper quelques secondes au début du film...

Mais LOL !!!!!

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Que lire cet hiver ?
Bien sûr, nous eûmes des orages, 168 pages, 14.00€ (Commander)
La Vie brève de Jan Palach, 192 pages, 16.50€ (Commander)

On avait fait ça tous les deux devant une ba de Terminator 3, je ne sais pas si tu te souviens ? Les deux débiles qui baissent la tête, ferment les yeux en même temps...

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Que lire cet hiver ?
Bien sûr, nous eûmes des orages, 168 pages, 14.00€ (Commander)
La Vie brève de Jan Palach, 192 pages, 16.50€ (Commander)