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 Sujet du message: San Sebastian 2016
MessagePosté: 14 Juil 2016, 11:20 
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Première (petite) salve d'annonces...

http://www.sansebastianfestival.com/2016/news/1/5766/in

Zabaltegi-Tabakalera, the San Sebastian Festival section open to the most varied and surprising movies of the year, where there are no formal rules or restrictions on subject matter, will this year open its first edition as a competitive section with Bertrand Tavernier’s latest film, Voyage à travers le cinéma français / A Journey Through French Cinema, a documentary looking at filmmaking in his country. His film will compete with the latest works by noteworthy moviemakers on the international scene including Terence Davies, Lav Diaz, Jim Jarmusch, Hayoun Kwon, Jean-François Laguionie, Deborah Stratman, José Luis Torres Leiva, and other titles to be announce in the coming weeks, for the Zabaltegi-Tabakalera Award with its 20,000 euros.



VOYAGE À TRAVERS LE CINÉMA FRANÇAIS / A JOURNEY THROUGH FRENCH CINEMA
BERTRAND TAVERNIER (FRANCE)
OPENING NIGHT FILM
Bertrand Tavernier loves cinema. Along the lines of A Personal Journey with Martin Scorsese Through American Movies, Tavernier presents us with a sharp and personal approach to French cinema, the films, directors, composers and dialogues he has loved most in his life. From Jean Renoir to Claude Sautet, from Henri Decoin to Jacques Becker, casting an eye over François Truffaut, Jean-Luc Godard, Louis Malle and many other famous moviemakers on the way, Bertrand Tavernier treats us to a fresh look at the gems of cinema.


489 YEARS
HAYOUN KWON (FRANCE)
An animated short film that won an award at the 62nd International Festival at Oberhausen, 489 Years makes use of the testimony provided by Kim, a former soldier from South Korea, to give us access to the demilitarized zone between the two Koreas and plunges us into the heart of the soldier’s personal memories. Kim tells us about his experiences on a research mission and the amazing discovery he made in a filed full of mines (laid by South Korea with no record of where they were placed). He talks about a place where people are forbidden, and where nature has totally regained its hold…


A QUIET PASSION
TERENCE DAVIES (UK - BELGIUM)
Who was Emily Dickinson? Who hid behind the poet who spent most of her life at her parents’ home in Amherst, Massachusetts? The mansion where she lived provides the backdrop to the portrait of an unconventional woman who we know very little about. Born in 1803, she was considered to be a talented child, but an emotional trauma forced her to abandon her studies. From that moment on she withdrew from society and began to write poems. Despite her solitary life, the writer’s work takes the reader on a fascinating journey around the world.


GIMME DANGER
JIM JARMUSCH (USA)
The powerful aggressive rock 'n' roll of The Stooges, who came out of Ann Arbor (Michigan) during the countercultural revolution, was like a bombshell on the music scene of the late 1960s. With their fusion of rock, blues, R&B and free jazz, the band that Iggy Pop started out in laid the foundations for what would later be known as alt-rock. Gimme Danger tells the epic story of The Stooges and presents the context in which one of the most important rock bands of all time evolved musically, culturally, politically, and historically, through their adventures and joys and sorrows, and recalls their sources of inspiration and the reasons for the early commercial challenges they faced.


HELE SA HIWAGANG HAPIS / A LULLABY TO THE SORROWFUL MYSTERY
LAV DIAZ (PHILIPPINES)
Various interconnected narrative threads on the Philippine Revolution of 1896-1897 against the Spanish colonial government make up Hele Sa Hiwagang Hapis / A Lullaby to the Sorrowful Mystery: the story of the ballad of Jocelynang Baliwag, which became the hymn of the revolution; Gregoria de Jesús’s desperate search for the body of the father of the Philippine Revolution, Andrés Bonifacio; the journey of the national heroes Simon and Isagani, who are fictional characters; and the role of the mythical hero of the Philippine resistance, Bernardo Carpio, and the half-man, half-horse Tikbalang / Engkanto in the Philippine psyche. This film represents a fusion of history, literature and mythology.


LOUISE EN HIVER / LOUISE BY THE SHORE
JEAN-FRANÇOIS LAGUIONIE (FRANCE - CANADA)
On the last day of summer, Louise, an old woman realizes that the last train has departed without her. She finds herself alone in a small seaside resort town, abandoned by everyone. The weather quickly turns for the worse followed by the seasonal tides. Fragile and coquettish, not nearly as well-prepared as a would-be Robinson Crusoe, Louise isn’t likely to make it through the winter. Yet, Louise takes her abandonment as a challenge. She’s going to survive, confronting the elements as well as her memories, which have found the perfect occasion to join in the adventure…

THE ILLINOIS PARABLES
DEBORAH STRATMAN (USA)
An experimental documentary. Eleven parables recount events from the history of the state of Illinois: regional vignettes about faith, force, technology and exodus. From the violent eviction of the Cherokee to the establishment of a utopian community of French Icarians, the invention of the nuclear reactor, and the murder of Black Panther leader Fred Hampton, the film relays histories of settlement, removal, technological breakthrough, violence, messianism, and resistance. Illinois functions here as a convenient structural ruse, allowing its histories to become allegories that explore how societies are shaped by conviction and ideology.


EL VIENTO SABE QUE VUELVO A CASA
JOSÉ LUIS TORRES LEIVA (CHILE)
The Chilean documentary maker Ignacio Agüero is preparing his first fictional feature film based on an old documentary project that he never completed. In the early 1980s, on the island of Meulín, in the Chiloé region, a young couple disappears in the woods in the area totally without trace. A myth developed around this mysterious tragic love story. Ignacio Agüero will travel to the scene of the crime in search of locations and non-professional actors to finally gradually discover how his film is going to develop.


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 Sujet du message: Re: San Sebastian 2016
MessagePosté: 26 Juil 2016, 16:43 
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New directors :

ANISOARA / ANISHOARA
ANA-FELICIA SCUTELNICU (GERMANY - MOLDOVA)
Anishoara is a 15-year old girl from a small village in Moldova, situated in a picturesque valley between rolling hills. Alone with her old grandfather Petru and her little brother Andrei life is calm and archaic. But the four seasons are bringing many changes, and it will be the last year of Anishoara’s childhood in this valley before she takes off into her adult life.

LE CIEL FLAMAND
PETER MONSAERT (BELGIUM)
A look at the lives of three generations of women. Monique and her daughter Sylvie run a brothel on the border of West Flanders and France. Eline, Sylvie's six-year-old daughter, is fascinated by the mysterious workplace of her mother and grandmother, but she is never allowed inside. A dramatic event turns their lives upside down and the family ties are put under pressure.


COMPTE TES BLESSURES / A TASTE OF INK
MORGAN SIMON (FRANCE)
Vincent hasn't lived a third of his life yet, but he's already tattooed half of his body and hoarsened his voice with his post-hardcore band. Since his mother died, he shares his time between a piercer job he's not happy with and a fishmonger father trying to start a new life with a younger woman. And it's driving him insane.

FIN DE SEMANA (WEEKEND)
MOROCO COLMAN (ARGENTINA)
Carla arrives after years of absence to accompany Martina. Relations between them are cold; there's something unspoken between them. Martina slips away for secret meetings with Diego, a man twice her age. The two are involved in a hardcore sex game that's out of control. When Carla discovers the relationship she confronts Diego.


HU XI ZHENG CHANG / SOMETHING IN BLUE
YUNBO LI (CHINA)
Four young people, one city. For love or ideal, with funny and faint bewilderment. As seasons change, they come into the movie from life, then they come back to their life from the movie. They play themselves in the film, their parts in the film transform their life. An original improvisation in Chinese Cinema, a brand new rendering of city life.


IN BETWEEN
MAYSALOUN HAMOUD (ISRAEL - FRANCE)
Salma, Laila and Nur will never fit in. Palestinians with Israeli citizenship, they choose to live a life of freedom in Tel Aviv, away from their home villages. Each is looking for love, but as young Palestinian women they learn that a relationship of their choosing is not easy to fulfill. They have to choose their place, either in the city or in the village.


LUMIÈRES D'ÉTÉ (NATSU NO HIKARI) / SUMMER LIGHTS
JEAN-GABRIEL PÉRIOT (FRANCE)
Akihiro, a native japanese filmmaker living in Paris, came to Japan to interview survivors for a documentary celebrating the 70th anniversary of the atomic bombing of Hiroshima. Deeply moved by the interviews, he decided to take a break and wanders through the city during which he meets Michiko, a merry and enigmatic young woman.

MARÍA (Y LOS DEMÁS)
NELY REGUERA (SPAIN)
Ever since her mum died, Maria has taken care of her father and her siblings. She's been a rock for the family. That's why her father's announcement of marriage to his nurse brings Maria's world crashing down around her. At the age of 35, she'll have to change her fate.


PARK
SOFIA EXARCHOU (GREECE)
Ten years have passed, and the Olympic Village in Athens is in decay. Among the abandoned athletic facilities and new-money tourist resorts nearby, Dimitris(17), Anna(24), a retired athlete, and their friends traverse Greece's glorious past with the decadence of today, creating a portrait of a society unprepared for the brutal fall.



PINAMAR
FEDERICO GODFRID (ARGENTINA)
Two brothers return to Pinamar after their mother's death, to say their final goodbye and sell the family apartment. While Pablo wants to finish as fast as possible, Miguel wants to enjoy the visit. This trip helps them rediscover their relationship.



PORTO
GABE KLINGER (PORTUGAL - FRANCE - USA)
Jake (Anton Yelchin) and Mati (Lucie Lucas) are two outsiders in the northerly Portuguese city of Porto who once experienced a brief connection. A mystery remains about the moments they shared, and in searching through memories, they relive the depths of a night uninhibited by the consequences of time.


VANATOARE / PROWL
ALEXANDRA BALTEANU (GERMANY)
Lidia grows pigeons and lives a mundane existence with a husband and two children. Denisa, the feisty one, wants to buy her freeloader boyfriend a new pair of sneakers. Vanesa, the youngest, dreams of finding the perfect guy with green eyes. These three women share a workplace as sex workers, under a bridge. One day, they pose resistance together, to the seemingly benign, regular visit, from the district policemen.

YEON-AE-DAM / OUR LOVE STORY
HYUN-JU LEE (SOUTH KOREA)
Yoon-ju is a graduate student of fine arts, who works petty part-time jobs to make ends meet and lives at her friend Young-eun's place for a very small rent. Unlike Young-eun who enjoys having no-strings-attached relationships, Yoon-ju is just not into dating. One day, while she is searching materials for her project, she runs into Ji-soo at a junk shop. Watching Ji-soo in an odd place, Yoon-ju finds herself drawn to her.


YI BAI WU SHI SUI DE SHENG HUO / ONE HUNDRED AND FIFTY YEARS OF LIFE
YU LIU (CHINA)
The ninety-year-old Han lives with his sixty-year-old mentally disabled son on the south side of Beijing. While his two daughters covet his apartment and seize his pension, Han's greatest concern is what will happen to his son after his death. On one occasion, Han's son is deserted by his son-in-law in a suburb, who claims he is missing.


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 Sujet du message: Re: San Sebastian 2016
MessagePosté: 28 Juil 2016, 18:15 
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Les films espagnols toutes sections confondues

In competition


EL HOMBRE DE LAS MIL CARAS (SMOKE AND MIRRORS)
ALBERTO RODRÍGUEZ (SPAIN)
El hombre de las mil caras is the story of a man who fooled an entire country. A tale of cheats and impostors, taking its inspiration from true facts and from one of the most intriguing characters of recent decades: the spy Francisco Paesa.

QUE DIOS NOS PERDONE (MAY GOD SAVE US)
RODRIGO SOROGOYEN (SPAIN)
Madrid, summer 2011. Economic crisis. 15-M movement and 1.5 million pilgrims waiting for the Pope’s arrival live side by side in a Madrid that’s hotter and more chaotic than ever. In this context, detectives Velarde and Alfaro must find what seems to be a serial killer. Their hunt against the clock will make them realise something they’d never imagined: neither of them are so very different from the killer.

LA RECONQUISTA (THE RECONQUEST)
JONÁS TRUEBA (SPAIN)
Manuela and Olmo meet in a future as they had promised fifteen years earlier as teenagers, when they lived their first love. Based on this romantic situation, La Reconquista is in fact a film on a quest for time; or about the awareness of time: of time lost and time recovered; about what we remember about ourselves and what we don't remember; about the words, gestures and feelings to which we remain faithful, because they define and compel us today, yesterday and tomorrow.

Not in competition

A MONSTER CALLS
J.A. BAYONA (SPAIN)
A Monster Calls is a fantasy drama that tells the story of Connor, a 13-year-old boy who struggles to cope with the consequences of his mother's terminal cancer with the help of a monster who repeatedly visited in the middle of the night.


Special screenings


MANDA HUEVOS
DIEGO GALÁN (SPAIN)
Manda huevos would be the logical extension of the documentary Con la pata quebrada (Barefoot in the Kitchen). Using nothing but fragments of films, Con la pata quebrada sought to summarise with narrative rhythm and good humour how Spanish cinema had represented Spanish women from the 30s until today and, with it, their evolution in society. Now, with a similar approach, our attention is drawn to the way Spanish films have portrayed Spanish men, or at least certain prototypes.




VIVIR Y OTRAS FICCIONES (LIVING AND OTHER FICTIONS)
JO SOL (SPAIN)
The desire to have a full sex life becomes a vital, political option when Antonio, a tetraplegic writer, decides to set up a space offering sexual assistance in his own home. He who wants to live ends up having problems with life.



NEW DIRECTORS


MARÍA (Y LOS DEMÁS)
NELY REGUERA (SPAIN)
Ever since her mum died, Maria has taken care of her father and her siblings. She's been a rock for the family. That's why her father's announcement of marriage to his nurse brings Maria's world crashing down around her. At the age of 35, she'll have to change her fate.




HORIZONTES LATINOS


ERA O HOTEL CAMBRIDGE
ELIANE CAFFÉ (BRAZIL - FRANCE - SPAIN)
Refugees recently arrived in Brazil who, together with homeless migrants, occupy an old abandoned building in downtown São Paulo. Daily dramas, comical situations and different views on the world commingle with the threat of impending eviction.




PEARLS


NERUDA
PABLO LARRAÍN (CHILE - FRANCE - ARGENTINA - SPAIN)
It’s 1948 and the Cold War arrives in Chile. In the Congress, Senator Pablo Neruda accuses the government of betraying the Communist Party and is stripped of his parliamentary immunity by President González Videla. The prefect of Investigative Police Óscar Peluchonneau is instructed to arrest the poet.




ZABALTEGI - TABAKALERA


CAMINAN (ON THE PATH)
Short film
MIKEL RUEDA (SPAIN)
A road in the middle of nowhere. A car. A bike. Two lonely people looking for the same thing. They meet.




GURE HORMEK / OUR WALLS
Short film
MARIA ELORZA, MAIDER FERNANDEZ IRIARTE (SPAIN)
The neighbourhood of Housewives. The district of Insomniacs. The newsstand of the Unknown Mother. The underground of The Lonely Women. Our walls pay tribute to the people we love.




SIPO PHANTASMA (GHOST SHIP)
KOLDO ALMANDOZ (SPAIN)
We set sail on an hour-long cruise taking us through a tale of boats, cinema, shipwrecks, ghosts, loves and vampires.




INTERNATIONAL FILM STUDENTS MEETING


CELEBRACIÓ / CELEBRATION
Short film
PAU CRUANYES GARRELL, GERARD VIDAL BARRENA (SPAIN)
Facultad de Comunicación de la Universidad Pompeu Fabra (Spain)
Wandering around at her wedding, a bride is treated by those she passes like just another guest. In this surrealist setting, her only bearing is the figure of her father, and even they have a strange relationship.




TAKE AWAY
Short film
GEÓRG CANTOS (SPAIN)
ECAM - Escuela de Cinematografia y del Audiovisual de la Comunidad de Madrid (Spain)
A Burger King in the wee small hours of the night. Five friends with a knot in their stomachs. Twenty-seven Whoppers to take away.




VELODROME


KALEBEGIAK
KOLDO ALMANDOZ, ASIER ALTUNA, LUISO BERDEJO, DANIEL CALPARSORO, IÑAKI CAMACHO, BORJA COBEAGA, MARÍA ELORZA, TELMO ESNAL, MAIDER FERNANDEZ IRIARTE, ISABEL HERGUERA, EKAIN IRIGOIEN, JULIO MEDEM, IZIBENE OÑEDERRA, GRACIA QUEREJETA, IMANOL URIBE (SPAIN)
Twelve short films, twelve portraits of the city of San Sebastian. Historic names and young promises in the field of movies made in Gipuzkoa come together in his film promoted by San Sebastian, European Capital of Culture 2016.


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 Sujet du message: Re: San Sebastian 2016
MessagePosté: 05 Aoû 2016, 11:17 
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Et c'est San Sebastian qui hérite du Hong Sang-Soo de saison...

https://www.sansebastianfestival.com/2016/news/1/5818/in

(on remarquera l'objectivité habituelle de grunt pour qui le festival joue cette année à égalité avec Venise)


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 Sujet du message: Re: San Sebastian 2016
MessagePosté: 05 Aoû 2016, 20:54 
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la liste fait plaisir quand même, à Deauville on a un hommage à Stanley Tucci.

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 Sujet du message: Re: San Sebastian 2016
MessagePosté: 07 Aoû 2016, 17:52 
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+ déjà annoncé en compet' American Pastoral de Mc Gregor.


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 Sujet du message: Re: San Sebastian 2016
MessagePosté: 07 Aoû 2016, 17:53 
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DPSR a écrit:
(on remarquera l'objectivité habituelle de grunt pour qui le festival joue cette année à égalité avec Venise)


La postérité des films sera seule juge :)


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MessagePosté: 12 Aoû 2016, 11:06 
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Avant-première mondiale de L'odyssée en clôture... qui passe dans dix jours à Angoulême

https://www.sansebastianfestival.com/2016/news/1/5833/in


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 Sujet du message: Re: San Sebastian 2016
MessagePosté: 14 Aoû 2016, 18:29 
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la fameuse règle FIAPF qui autorise les films à être diffusés dans leurs pays d'origine avant la première en festival. Même si oui, pour le coup, le côté "première mondiale" n'a plus lieu d'être...


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MessagePosté: 15 Aoû 2016, 11:55 
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grunt a écrit:
la fameuse règle FIAPF qui autorise les films à être diffusés dans leurs pays d'origine avant la première en festival. Même si oui, pour le coup, le côté "première mondiale" n'a plus lieu d'être...


Les premiers échos sont favorables pour le film, non?


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 Sujet du message: Re: San Sebastian 2016
MessagePosté: 17 Aoû 2016, 02:19 
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ca fera effectivement une belle clôture...


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 Sujet du message: Re: San Sebastian 2016
MessagePosté: 25 Aoû 2016, 09:29 
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La compétition est complète, avec notamment l'ajout de Bercot en film d'ouverture:

https://www.sansebastianfestival.com/2016/sections_and_films/official_selection/8/in

Des conseils sur les différentes sections grunt?


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 Sujet du message: Re: San Sebastian 2016
MessagePosté: 25 Aoû 2016, 23:48 
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DPSR a écrit:

Des conseils sur les différentes sections grunt?


De ce que j'ai vu :

Orpheline (très très beau)
The giant
Compte tes blessures
Le ciel flamand
Nocturama
Lumières d'été
El cristo ciego
El rey del once
La région salvaje
Xquinientos
Louise en hiver
Zoology

D'après les échos ultra positifs :

Playground
When a monster calls
Que dios no perdone
Rage
Park
Our love story
Illinois parables
Uncle Howard

Y'a vraiment de quoi faire...


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 Sujet du message: Re: San Sebastian 2016
MessagePosté: 26 Aoû 2016, 11:55 
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Et du rab qui vient de tomber:

BIGAS X BIGAS
BIGAS LUNA, SANTIAGO GARRIDO RUA (SPAIN)
Special Screenings
Bigas Luna was, above all else, a narrator of images, both cinematographic and pictorial. This voyeurism, so intrinsic to him, cultivated an immense desire to make a veristic movie: to film someone with no screenplay and devoid of paraphernalia, portraying the character in their purest state. This was probably what prompted him to capture his surrounding reality by means of a video-diary. A table composed of different unique scenes of his life. More than 500 reels, different videos, pictorial texts and audio files uncovering family scenes, intimate reflections and conspiratorial tête-à-têtes with actors and friends. Bigas x Bigas is a veristic experimental film intended to open a window onto those moments. A journey through his experiences and reflections where Bigas takes himself to pieces to reveal his innermost, most personal side, not only as an artist, but as a human being.




KIMI NO NA WA / YOUR NAME
MAKOTO SHINKAI (JAPAN)
Special Screenings
Taki and Mitsuha, one day find that their sleep brings their body swap and the two start communicating by memo. As they awkwardly overcome one challenge after another, a bond develops between the two- one that evolves into something more romantic.




COLOSSAL
NACHO VIGALONDO (CANADA)
Not in competition
A going-nowhere party girl (Anne Hathaway) discovers a mysterious connection between herself and a giant monster wreaking havoc on the other side of the globe.


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Et c est l'immense Bille August qui présidera le jury de cette prestigieuse sélection.


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